Sensual MaterialIn my studio I am motivated by attraction to materials and the pleasure I take in handling them. I make objects that confront my body and the body of my viewer with sensuous humor and some provocation. I am interested in the unrecognizable, the repressed. What is beyond our immediate reality? What is the mystery of our associative, psychological state in regards to our perception of what is underneath our skin? Often there are details of clothing in my work, zippers, piping, button holes, referring to the fashion we cover ourselves with, our facade. My work is an exaggerated reference to the body. It reflects the paradox of intelligence opposing bestiality, the body couture. Our facade is an obsession. The materiality, sensuality, and labor invested in my work are expressions of the body.
Fabric is malleable. I can push it together, or stretch it, it “grows”. The urge toward the visceral is a desire for vitality expressed through the handling of my materials. The diligence of needlework brings materials alive, stitch by stitch.The way materials attract me, (again the Eros principle), is very important. Texture, sheen, sense of hand and color are all key. I want to touch them.These are materials that are easily available and possible for me to work in my studio. I learned to sew when I was 9 and this skill is integrated into my life. Ina time when artists send their work out to artisans, I am still attached to making my own work. Many viewers who begin by appreciating only my craft, will find it to be their entrance into the work.